Artwork

Rupert Norfolk
Untitled, 2007

Richly associative poetic art and nature ‘pattern’ develops the floor sculpture Untitled, a rumpled blanket tossed on the floor. But what immediately becomes clear as soon as one looks at the piece more than glancingly is that among the blanket’s real, three-dimensional folds are scattered a number of purely depicted folds – images of folds that have been woven in. Untitled’s geometrical patterns of a traditional Aubusson tapestry had already been warped and doubled over before it was laid out. Norfolk’s sculptures always reveal their origins in earlier questions posed by Concept Art and Minimalism, but can at the same time permit themselves the closest possible approach to elements of the ‘world’, through formal complexity and sophisticated treatment of materials.

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