Sylvie Fleury
Untitled (Car Magazine Covers), 1999

Central to Sylvie Fleury’s analytical interest is the way in which consumer article, luxury items and their codes are fetishized as well as the changing perspective between typically male and female consumer worlds. By using found design and art objects, or objects she has bought herself, Fleury adopts the artistic practice of the ready-made and deconstructs male-dominated art history by replacing it with a typically feminine object world. Here she leaves the feminist discourses of the 1970s and 1980s well behind her and acts from the affirmative position of an accomplice of both fashion and art. The photographic blow-up’s of magazine covers is to be seen in this context. Like her earlier photographic works in the Playgirl series, Fleury’s Car Magazine Covers can be seen as a constellation of signs representing a society geared solely to production of goods. Seen from tis perspective, the female bodies, like the depicted cars, are part of the consumer society, just like the pictures of them that are presented to us.

Sylvie Fleury

* 1961 Geneva, CH
Lives and works in Geneva, CH
Sylvie Fleury
Aura Soma, 2002
102 bottles (each 50 ml) and 4 light boxes, Ed. 1/3
Sylvie Fleury
Swiss Polish Meditation, 2005
3-channel-projection, 23:41 min

Related artworks

Car Related 53 Artworks

Sylvie Fleury
Swiss Polish Meditation, 2005
3-channel-projection, 23:41 min
Andy Warhol
Daimler Motorkutsche (1886), 1986
Silkscreen, acrylic on canvas

Geneva 6 Artworks

Sylvie Fleury
Untitled (Car Magazine Covers), 1999
Fotografie auf Aluminium

Installation 60 Artworks

Jacob Dahlgren
Heaven is a Place on Earth, 2008
Installation, 168 IKEA scales, metall frame
Iman Issa
Material for a sculpture commemorating the life of a soldier who died defending his nation against intruding enemies, 2012
Four painted wooden sculptures on white plinth, blank book with four inserts, vinyl text on wall
Giulio Paolini
Dilemma, 1990
Acrylic glass, plaster, charcoal, canvas, wood

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