Haris Epaminonda
Untitled #4 t/f, 2014

  • Off-white pastellone, free standing iron structure, metal frame
  • Pastellone 12 x 90 x 150 cm, iron structure 9 x 75 x 80 cm, metal frame 80 x 55 cm
  • Acquired in 2015
  • Conceptual Art History Installation Language

Haris Epaminonda formulates a syntax of remembered stories. Making the act of remembering itself the subject and the content of her artistic thought, she creates loose structures from photographs, images, books, films and sculptures. She frequently works with found materials, with faded travel photographs, pages from antiquated nature magazines, ethnographic artifacts, classical sculptures and film materials from old television series. From these props, she assembles complex ensembles that have the look of exhibits, constructing associative paper, film and spatial collages that bring together places and eras that are poles apart. By means of visual connections and conceptual correspondences, the discards of everyday culture as it is lived coalesce to become fragments of stories, in order to open up a narrative with open boundaries and to establish a poetic cartography.

Haris Epaminonda

* 1980 Nikosia, CY
Lives and works inBerlin, D
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Haris Epaminonda
Untitled #06 o/g, 2012
Four old chinese, monochromatic, porcelain objects, metal vitrine with wooden base and glass top

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